Playwright Caridad Svich

Photo by Jody Christopherson
Photo by Jody Christopherson

 

Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theatre, a 2012 Edgerton Foundation New Play Award for Guapa, and the 2011 American Theatre Critics Association Primus Prize for her play The House of the Spirits, based on the Isabel Allende novel. She has won the National Latino Playwriting Award (sponsored by Arizona Theatre Company) twice including in the year 2013 for her play Spark. She has been short-listed for the PEN Award in Drama four times, including in the year 2012 for her play Magnificent Waste. In January 2014 In the Time of the Butterflies (based on the Julia Alvarez novel) will receive its English language premiere at San Diego Repertory Theatre under the direction of Herbert Siguenza and Todd Salovey, In development: Jarman (all this maddening beauty, a performance piece inspired by the life and work of British filmmaker Derek Jarman, with Washington D.C.-based ensemble force/collision. Among her key works are 12 Ophelias, Any Place But Here, Alchemy of Desire/Dead-Man’s Blues, Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart (a rave fable) and The Way of Water.

Seven of her plays are published in Instructions for Breathing and Other Plays (Seagull Books and University of Chicago Press, 2014). Five of her plays radically re-imagining ancient Greek tragedies are published in Blasted Heavens (Eyecorner Press, University of Denmark, 2012). Her works are also published by TCG, Broadway Play Publishing, Manchester University Press, Playscripts, Arte Publico Press, Smith & Kraus, Alexander Street Press, StageReads and more. Among her awards/recognitions are: Harvard University Radcliffe Institute for Advanced Study Fellowship TCG/Pew Charitable Trusts National Theater Artist Residency at INTAR, NEA/TCG Playwriting Residency at the Mark Taper Theatre Forum Latino Theatre Initiative.

She has edited several book on theatre including Out of Silence: Censorship in Theatre & Performance and Trans-Global Readings: Crossing Theatrical Boundaries. She sustains a parallel career as a theatrical translator, chiefly of the dramatic work of Federico Garcia Lorca as well as works by Calderon de la Barca, Lope de Vega, Julio Cortazar and contemporary works from Mexico, Cuba and Spain.

She is alumna playwright of New Dramatists, Drama Editor of Asymptote literary journal, associate editor of Contemporary Theatre Review (Routledge,UK), contributing editor of TheatreForum, and founder of NoPassort theatre alliance and press, which recently published Todd London’s The Importance of Staying Earnest.

http://caridadsvich.com

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